Audiovisual technologies facilitate and enhance communication capabilities, but it is vital that their integration into your existing technology infrastructure be expertly conducted through proper and appropriate system designs. Audiovisual equipment refers to equipment and applications that deal with sound and sight. The audiovisual world includes microphones, audio tape recorders, audio mixers, sound systems, analog and digital cameras both still and video, film projectors, slide projectors, VCRs, CD players/recorders and DVD players/recorders, multi-functional devices and computer controlled sound and video systems.

The installation and integration of all equipment pieces into a working system is a complex engineering task. In order to make the audiovisual system functional with differing needs and technical know-how, the end-user interface design often requires customized solutions. In the audio industry, audiovisual innovations include projectors, screens, monitors, cameras and plasma displays. Broadcasting companies are creating a revolution in how we get and listen to audio. Innovation in this field means a compelling product portfolio that delivers complete audio solutions for performance audio, for computers, the internet, for home, for life–in short, for every conceivable need.

Audiovisual home service providers can seamlessly integrate almost anything—media walls, touch screen panels, speakers, structured cabling, etc., into your existing components or into the architectural integrity of any room. These innovations have not only enhanced entertainment but have also been useful for education. The use of audio visual equipment in teaching has made it possible to break geographical barriers and reach out to a wide range of students. Greater interaction between the teacher and the student has been made possible by integrating traditional knowledge with innovative means of reaching out to students.

For ensuring the right usage of any new technology some amount of regulation is essential. The audio-visual regulatory framework imposes a certain amount of control on the content providers. It redefines ’broadcasting’ by distinguishing between linear services and non-linear services. Linear services comprise of scheduled broadcasting on television platforms as well as the internet and on mobile phones. Linear services would be subject to the same rules as those which apply to broadcasting. Non-linear services comprise non-scheduled broadcasting including video-on-demand and web based news. Regulation would ensure that innovation happens in positive and constructive ways.

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I have tried to convince many friends to listen to audio books online. This really is not any different to reading a regular book, except that someone else’s voice does the reading for you. Apparently the move from the ‘traditional book’ to a compact disc or mp3 has resulted in a large group of skeptical people who doubt that it is possible to truly appreciate a novel by listening, rather than physically reading. Funnily, it is actually the younger people that are harder to convince to give it a go.

Because my grandmother had grown up listening to stories told on the radio she was more than willing to listen to audio books online - in fact, she found it a pleasure as she could sit quite comfortably, do her cross stitch or even do the gardening while she listens to the recordings. Audio books have been around for a very long time, in fact, many of our grandparents grew up listening to the British Broadcasting Company with its serialized classics. History shows that as early as 1933 an anthropologist J.P. Harrington researched and recorded the oral histories of the Native American tribes.

The American Congress saw a need to provide extra resources for people with sight impairment, and as a result the “Books for the Adult Blind Project” was initiated. This project was the stepping stone for audio books or ‘talking books’ and before long the mass reproduction of them began. In later years the National Library Service provided a much needed public-service for blind citizens across America by recording millions of books in an audio format.

Audio Books and Popular Culture

Massive advancement in technology has driven the audio book online format into the reach of consumers who embraced the development with enthusiasm. It was in the early 1960’s when the introduction of the portable cassette player recorder allowed ease of use. This coincided with the ever increasing popularity of the pursuit for self-improvement. This style of recordings, with emphasis on instructional or educational subjects, became very popular. Self-help audio-books were well and truly in vogue and the initiative was expanded to include audio books on a wide variety of general topics such as the humanities.

Audio book recordings became even bigger and quickly a market was created that catered for people wanting to rent popular titles. Listening to audio book online became a multi-billion dollar industry and producers helped the industry grow by introducing high-quality recordings done with large casts of voices.

Today, the audio book concept has embraced leading edge technology which has made the product much more accessible to the general public than ever before. The vast array of product available can now be easily downloaded from the web and its formats incorporated into any digital listening device such as cell phones, MP3 players and iPods. In view of this modern and cutting edge tools, it is highly likely that the young people of today might even gain an appreciation for a classical author such as Jane Austen or William Shakespeare.

It is ironic that the advent of the audio book online has not fully replaced printed books version but instead has only highlighted the joys of books in general.

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